I knew little about Harriet Tubman beyond the barest synopsis of her as a leading figure in the Underground Railroad, and was thrilled to expand my understanding of this inspirational woman’s story as told in the new biopic Harriet. (As is inevitable for any biopic, some characters and details have been invented for dramatic necessity, but the film is fairly historically grounded in the broader story.) I was on the edge of my seat through most of this film as this diminutive but determined woman not only made her own solo run to freedom (when nobody thought she could do it on her own), but then made repeated daring returns back into slave territory to help others escape. It’s one thing to read in school about the Underground Railroad, the network of just-minded people who offered temporary hiding places and onward guidance. It’s quite another to have it brought to life on the screen, with all the powers of film-making harnessed to make you experience the feeling of running through the woods at night with hounds in hot pursuit. A textbook just doesn’t quicken the pulse like a film can. But much more than just a sequence of harrowing escapes is the monument of this woman’s faith and determination. I learned that, like Joan of Arc, Harriet Tubman experienced visions. Explained at least in part as seizure-like episodes resulting from a head trauma when she was young, she understood them as God showing her things, sometimes premonitions of immediate danger, sometimes prophesies of things to come later. In any case, they affirmed her faith that God was leading her, and gave her a fierce courage to do what she needed to do. This, together with her resolve to live free or die, leads her to the central purpose in her life, that she should return and help others rather than cling to safety in the North. When other leaders of the Underground try to dissuade her, telling her that an illiterate black woman would not be able to succeed, she thunders back like an Old Testament prophet, “Nobody thought I could escape on my own, but the Lord was with me. And here I am. So don’t you tell me what I can’t do.” The performance of this character by Cynthia Erivo is transcendent, inspiring awe that makes the film. She is steely fierce, but also has some very human moments. While Harriet Tubman is not an unsung hero, this film, surprisingly the first feature film to be made of her, shows me that she hasn’t been sung enough. Can’t wait for her to be on the $20 bill.
Saturday, November 09, 2019
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