In recent years, we’ve discovered the pleasure of seeing the
Oscar-nominated short films when the Academy Awards are coming around. Usually
we’ll catch the live action and the animated shorts, but this year we didn’t
have time to catch both, and some friends tipped us off that the live actions
were brutally heavy this year. So animation is it was, and what a great crop
this year! The first two shorts both, in the span of 10 minutes each, moved me
to warm sweet tears. Bao, the Pixar entry, draws a poignant and humorous sketch
of a Chinese mother who raises a son and then is reluctant to let him go when
he’s grown up. Using food as a metaphor, it includes some beautifully rendered
images of food and cooking. Late Afternoon (from Ireland), in simple hand-drawn
lines and colors, shows the experience of an old woman whose memories are
becoming slippery as she slides down memory holes like falling into water.
Animal Behaviour wasn’t high art, but was an amusing gag about a counseling
support group spanning the animal kingdom from a slug who can’t let go of a co-dependent
relationship to an ape in denial about anger management issues. Then came the
lushly painted Weekends, the subjective experience of a young boy being
shuttled back and forth between separated parents, with gorgeous imagery that wordlessly
brought emotions to life. One Small Step sweetly tells the story of a girl
raised by a single father finding the determination to follow her dreams to the
stars. Those were the five official nominees, but they usually throw in a
couple of bonus shorts to fill out a feature-length program. Wishing Box was
another gag offering stronger on amusement than artistry but certainly a good
laugh. Tweet-Tweet, on the other hand, was more deserving of nomination – a CGI
offering that entranced me with its simplicity and beautiful imagery, showing the
cycle of life as a dance along a tightrope lead by a small bird.
Saturday, February 23, 2019
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